There is something calming yet intimidating about the limited palette in this painting. The earth tones feel ancient, uncovered, like a relic almost lost in time. The "Perfect" cube, stoic in its presence, hovers diligently and irrefutably. Rough, loose brushstrokes define the mysteriously beautiful landscape yet contrasted against its beauty, this angular geometric shape; foreign yet ancient. Metatron's cube, and the platonic solids come to mind as we think, "what was there before time?"